June 30, 2022
Rasmus Meldgaard Harboe interviews poet, Kimberly Campanello.
October 30, 2022
Zahrah Nesbitt-Ahmed reviews Rising of the Black Sheep, by Livia Kojo Alour
January 17, 2023
"What is happening in Iran is heart-breaking, and this poem is testament to that, it is also paying homage to my Father and my Persian heritage, of which I'm so proud."
March 9, 2023
"The 7 – 11 age group is for me the most joyful of childhood – their imagination is boundless, they are brave and unjudgmental, and the self-consciousness of the teen years has not yet set in."
April 25, 2023
"In the case of obstetric and gynaecological history, it felt important to resist chronological or medical linearity. Working towards a happy ending would have been too easy and would have felt like a formal parroting of the unstoppable trajectory of ‘scientific progress’ that I wanted the book to question. "
April 27, 2023
They were stones in a champagne flute,
I was always bound to smash.
But they were there for a while,
hanging on, two faceless punters waiting
for the gag, and then it all slipped out
of me as easily as a giggle. Once is a mistake.
Twice is careless. By the end of it
you could hear a pin drop in my heart.
I was always bound to smash.
But they were there for a while,
hanging on, two faceless punters waiting
for the gag, and then it all slipped out
of me as easily as a giggle. Once is a mistake.
Twice is careless. By the end of it
you could hear a pin drop in my heart.
May 16, 2023
"is there something in adopting the voice of a god, but giving him very human qualities and frailties? It turned out that adopting a persona that revolved at once about both being powerful and powerless was a great parallel for exploring subjects like climate change."