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New Writing

May 16, 2023

Neptune’s Projects: An Interview with Rishi Dastidar

"is there something in adopting the voice of a god, but giving him very human qualities and frailties? It turned out that adopting a persona that revolved at once about both being powerful and powerless was a great parallel for exploring subjects like climate change."
April 27, 2023

Five Poems from Speculum, by Hannah Copley

They were stones in a champagne flute,
I was always bound to smash.
But they were there for a while,
hanging on, two faceless punters waiting
for the gag, and then it all slipped out
of me as easily as a giggle. Once is a mistake.
Twice is careless. By the end of it
you could hear a pin drop in my heart.
February 28, 2023

The Monster of Invidia, by M L Hufkie

"How long he sat in his car he couldn’t say, but he pulled out of the hospital car park when the noise of an approaching ambulance interrupted his thoughts. He somehow ended up on the Sea Point Promenade again, sitting on the bench they had sat on so many times before. By the time the sun set, painting the Cape Town sky a marvellous orange-yellow-purple, he had made his decision."

Writing Life

May 16, 2023

Neptune’s Projects: An Interview with Rishi Dastidar

"is there something in adopting the voice of a god, but giving him very human qualities and frailties? It turned out that adopting a persona that revolved at once about both being powerful and powerless was a great parallel for exploring subjects like climate change."
April 27, 2023

Five Poems from Speculum, by Hannah Copley

They were stones in a champagne flute,
I was always bound to smash.
But they were there for a while,
hanging on, two faceless punters waiting
for the gag, and then it all slipped out
of me as easily as a giggle. Once is a mistake.
Twice is careless. By the end of it
you could hear a pin drop in my heart.
April 25, 2023

Bodies in Transition: An Interview with Hannah Copley on her poetry collection, Speculum

"In the case of obstetric and gynaecological history, it felt important to resist chronological or medical linearity. Working towards a happy ending would have been too easy and would have felt like a formal parroting of the unstoppable trajectory of ‘scientific progress’ that I wanted the book to question. "

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